Experiential Production & Immersive Environments
Wonderland – Original Immersive Production
An original multi-act immersive musical staged in raw industrial spaces, requiring full venue buildout from warehouse to functioning theatrical environment. I wrote and directed the production, led scenic and technical design, engineered custom projection systems, and integrated a ten-piece original score. Sold-out runs and revival by demand established it as a scalable immersive production model.
Theatre Bizarre – Masonic Temple Transition
Brought in as a full partner during the organization’s transition to the Detroit Masonic Temple, I built the operational architecture required to scale to 5,000-attendee nights with over 1,000 performers and crew. I implemented departmental leadership systems, centralized budgeting and contracts, and oversaw vendor negotiations and major-venue execution.
Public Activations & Brand Expansion
Expanded Theatre Bizarre into a year-round activation platform, producing immersive festival installations, ticketed pop-ups, parade builds, and large-scale public appearances. Each activation required fabrication coordination, transport logistics, staffing, safety oversight, and integration with external event infrastructure.
Live Event Production Systems
Produced and directed recurring live environments integrating scenic builds, projection mapping, live AV control, and multi-performer coordination. Projects included immersive nightclub installations, orchestral collaborations, performance-driven media systems, and touring experiential builds.
Sports Broadcast Media Environments
Designed and executed modular LED media environments for Detroit Tigers, Pistons, and Lions media days, integrating scenic design, real-time animation systems, and broadcast finishing. Oversaw panel mapping, content architecture, production crews, and final graphics delivery across multiple campaigns.
Integrated Media & Motion Systems
Developed animation frameworks, projection mapping systems, and media architecture that operate across live capture, LED environments, and broadcast delivery. My motion work is built to function inside physical space as part of a larger experiential system.